All the Light We Cannot See

All the Light We Cannot See

Winner of the Pulitzer Prize, a New York Times Book Review Top Ten Book, National Book Award finalist, more than two and a half years on the New York Times bestseller listFrom the highly acclaimed, multiple award-winning Anthony Doerr, the stunningly beautiful instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied Franc...

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Title:All the Light We Cannot See
Author:Anthony Doerr
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Edition Language:English

All the Light We Cannot See Reviews

  • Melanie

    I always thought, or imagined, that there were these invisible lines trembling in our wake, outlining our trajectories through life, throbbing with electric energy. Lines that sometimes cross one other, or follow in parallel ellipses without ever touching, or meet up for one brief moment and then part. A universe of lines crisscrossing in the void.

    Anthony Doerr's astonishing new novel "All The Light We Cannot See" follows the complex arcs of two such invisible lines through the lives of Werner P

    I always thought, or imagined, that there were these invisible lines trembling in our wake, outlining our trajectories through life, throbbing with electric energy. Lines that sometimes cross one other, or follow in parallel ellipses without ever touching, or meet up for one brief moment and then part. A universe of lines crisscrossing in the void.

    Anthony Doerr's astonishing new novel "All The Light We Cannot See" follows the complex arcs of two such invisible lines through the lives of Werner Pfennig, an orphan boy in pre-World War II Germany and Marie-Laure Leblanc, a blind girl living in Paris with her father. Through riveting flash forwards and flash backs, the novel charters the course of their lives as they struggle to find out wether it is possible to really

    your life when it is swallowed by the black holes of history. One is driven by a deep love of science while the other is inhabited by the power of books. In the midst of the rise of German fascism and the birth of the French Resistance, how does youth manage to stay true to its essence?

    A war story, a coming-of-age story, a philosophical fable, this is a novel that constantly oscillates between the moral uncertainties of life and the chiselled precision of the natural world that surrounds us. Between the political morass of war and the stupendous beauty of organisms, the ocean, the human brain.

    The language is so fantastically precise - Anthony Doerr does things with verbs that make entire paragraphs sing - that the visual component of this book is quite astounding.

    In the end, what this novel illuminates is the miraculous impact that seminal events have on the rest of our lives, whether it be the magic of radio broadcasts on the mysteries of science or the extraordinary adventures of Jules Verne's "Twenty Thousand Leagues Under The Sea".

    A deeply moving and enthralling work that echoes the power of early impressions on the building of a self, such as the philosopher Simon Critchley recently evoked so beautifully in a stunning essay published in The New York Times entitled "The Dangers of Certainty":

    Masterful.

  • LeeAnne

    This book has the most hauntingly beautiful prose I've ever read. It's brimming with rich details that fill all five senses simultaneously. It's full of beautiful metaphors that paint gorgeous images. I didn't want this book to end, but I couldn't put it down.

    "In August 1944 the historic walled city of

    the brightest jewel of the Emerald Coast of Brittany, France was almost destroyed by fire....Of the 865 buildings within the walls, only 18

    This book has the most hauntingly beautiful prose I've ever read. It's brimming with rich details that fill all five senses simultaneously. It's full of beautiful metaphors that paint gorgeous images. I didn't want this book to end, but I couldn't put it down.

    "In August 1944 the historic walled city of

    the brightest jewel of the Emerald Coast of Brittany, France was almost destroyed by fire....Of the 865 buildings within the walls, only 182 remained standing and all were damaged to some degree." -Philip Beck

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    This book is really two parallel stories set during World War II, about two children, growing up in two different countries. The poetic narration moves back and forth in both time and place, between the two main characters.

    In Nazi Germany, a young orphan boy named Werner lives in a sparse children’s home with his young sister. He is exceptionally bright and curious with a knack for fixing radios. He fixes one old radio and becomes spellbound by a nightly science program broadcast from France. His talents in math and science win him a coveted spot in a nightmarish Hitler Youth Academy. This is his only chance of escape from a grim life working in the same deadly coal mines that killed his father.

    In Paris, France there is a shy, freckled redhead named Marie-Laure. She is intuitive, clever and sensitive. She lives with her locksmith father who works at a museum. When she goes blind from a degenerative disease at the age of six, her father builds a detailed miniature model of their neighborhood, so she can memorize every street, building and corner by tracing the model with her nimble fingers. When the Germans attack Paris she and her father must flee to the coastal town of Saint-Malo to live with a great-uncle who lives in a tall, storied house next to a sea wall.

    This story is suspenseful but read it slowly, so you can savor every word, unhurried.

    The author explains in his own words: "The title is a reference first and foremost to all the light we literally cannot see: that is, the wavelengths of the electromagnetic spectrum that are beyond the ability of human eyes to detect (radio waves, of course, being the most relevant). It’s also a metaphorical suggestion that there are countless invisible stories still buried within World War II — that stories of ordinary children, for example, are a kind of light we do not typically see. Ultimately, the title is intended as a suggestion that we spend too much time focused on only a small slice of the spectrum of possibility." - Anthony Doerr

    Photos of Saint-Malo with quotes from the first few pages of this book:

    "At dusk they pour from the sky. They blow across the ramparts, turn cartwheels over rooftops, flutter into the ravines between houses. Entire streets swirl with them, flashing white against the cobbles. "Urgent message to the inhabitants of this town," they say. "Depart immediately to open country." The tide climbs. The moon hangs small and yellow and gibbous. On the rooftops of beachfront hotels to the east, and in the gardens behind them, a half-dozen American artillery units drop incendiary rounds into the mouths of mortars."

    "Saint Malo: Water surrounds the city on four sides. Its link to the rest of France is tenuous: a causeway, a bridge, a spit of sand. We are Malouins first, say the people of Saint-Malo. Bretons next. French if there’s anything left over. In stormy light, its granite glows blue. At the highest tides, the sea creeps into basements at the very center of town. At the lowest tides, the barnacled ribs of a thousand shipwrecks stick out above the sea. For three thousand years, this little promontory has known sieges. But never like this."

    "The Girl

    In a corner of the city, inside a tall, narrow house at Number 4 rue Vauborel, on the sixth and highest floor, a sightless sixteen-year-old named Marie-Laure LeBlanc kneels over a low table covered entirely with a model. The model is a miniature of the city she kneels within,and contains scale replicas of the hundreds of houses and shops and hotels within its walls. There’s the cathedral with its perforated spire, and the bulky old Château de Saint-Malo, and row after row of sea-side mansions studded with chimneys. A slender wooden jetty arcs out from a beach called the Plage du Môle; a delicate, reticulated atrium vaults over the seafood market; minute benches, the smallest no larger than apple seeds, dot the tiny public squares.

    Marie-Laure runs her fingertips along the centimeter-wide para-pet crowning the ramparts, drawing an uneven star shape around the entire model. She finds the opening atop the walls where four ceremonial cannons point to sea."

    “Now it seems there are only shadows and silence. Silence is the fruit of the occupation; it hangs in branches, seeps from gutters…So many windows are dark. It’s as if the city has become a library of books in an unknown language, the houses great shelves of illegible volumes, the lamps all extinguished.” -- All The Light We cannot See

  • Rick Riordan

    Adult fiction

    This book is getting a lot of well-deserved attention for its unique story and its beautiful writing. It starts late in World War II, as the Allies begin shelling the French city of Saint-Malo to drive out the remaining Nazi troops. Our two main characters are Marie Laure, a blind French girl who fled here with her uncle from Paris, and Werner, a radio expert in the German army who is stuck in the city when the attack begins. We jump back and forth in time, and between the two char

    Adult fiction

    This book is getting a lot of well-deserved attention for its unique story and its beautiful writing. It starts late in World War II, as the Allies begin shelling the French city of Saint-Malo to drive out the remaining Nazi troops. Our two main characters are Marie Laure, a blind French girl who fled here with her uncle from Paris, and Werner, a radio expert in the German army who is stuck in the city when the attack begins. We jump back and forth in time, and between the two characters’ perspectives to see how both young people were brought to this place.

    If you like straight-ahead, linear, plot-driven war novels, this is not the book for you. It does have a central plot that brings the two characters together – a mystery about a possibly magic gem hunted by an evil, terminally ill Nazi officer – but that is almost beside the point. In fact it feels like something added after the fact, as if an editor said, “You know, what you need is . . .” That plot, and the way it resolves, strongly echoes the mystery in the movie Titanic.

    What kept me turning pages, rather, were the characters’ lives and the short, well-crafted scenes. Doerr’s writing is elegant and evocative. Reading it is like eating the best gelato – so decadent you are sure you’ll put on weight. He treats Marie Laure and Werner with equal empathy, and their interaction – when they finally meet – is not your stereotypical wartime love story. It is much better, much more bittersweet and haunting.

    It took me about fifty pages to really get into the book and figure out the structure, but once I did, I couldn’t stop.

  • Emily May

    I'm going to be honest - love for this book didn't hit me straight away. In fact, my first attempt to read it last year ended with me putting it aside and going to find something easier, lighter and less descriptive to read. I know - meh, what a quitter.

    But

    . Both in the literal sense - the physical world of 1940s Paris/Germany - and the metaphoric

    I'm going to be honest - love for this book didn't hit me straight away. In fact, my first attempt to read it last year ended with me putting it aside and going to find something easier, lighter and less descriptive to read. I know - meh, what a quitter.

    But

    . Both in the literal sense - the physical world of 1940s Paris/Germany - and the metaphorical. It's woven with scientific and philosophical references to light, to seeing and not seeing, and the differences between the two. It's a beautiful work of genius, but it does get a little dense at times; the prose bloated by details.

    However, when we get into the meat of this WWII novel, it's also the harrowing story of a childhood torn apart by war. It's about Parisian Marie-Laure who has been blind since she was six years old, and a German orphan called Werner who finds himself at the centre of the Hitler Youth. Both of their stories are told with sensitivity and sympathy, each one forced down a path by their personal circumstances and by that destructive monster - war.

    I think this is the kind of book you will never appreciate if you stop too soon - I learned that lesson. From the first to last page, there is a running theme of interconnectedness, of invisible lines running parallel to one another and sometimes, just sometimes, crossing in the strangest of ways. These two lives we are introduced to seem to be worlds apart, and yet they come together and influence one another. It was this, more than the predictably awful tale of war, that made me feel quite emotional.

    That's how I would describe it. From the chillingly beautiful prose, to the realization of what the title actually means: that underneath the surface of history, there is light - and stories - that have not been seen; that have gone untold. Scientifically, we only see a small portion of the electromagnetic spectrum; historically, we only see a small portion of the story.

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  • Becky

    I'm sure this is going to mark me as a literary dud, but for all the brilliant reviews of this book? I couldn't really get into it.

    The book revolves around Marie-Laure, a blind girl who lives with her father. Her father is the locksmith at the Paris Museum of Natural History, and Marie is raised wholly in the museum and at home. Marie has a semi-idyllic childhood until the Nazi's invade Paris and she and her father have to flee to another city, where a reclusive uncle lives. Unknown to Marie, he

    I'm sure this is going to mark me as a literary dud, but for all the brilliant reviews of this book? I couldn't really get into it.

    The book revolves around Marie-Laure, a blind girl who lives with her father. Her father is the locksmith at the Paris Museum of Natural History, and Marie is raised wholly in the museum and at home. Marie has a semi-idyllic childhood until the Nazi's invade Paris and she and her father have to flee to another city, where a reclusive uncle lives. Unknown to Marie, her father is smuggling the world's most priceless jewel out of the city on behalf of the museum. Unfortunately for them, a German soldier is hot on the trail of the jewel, and will go to extreme lengths to find it.

    Werner is a German orphan who teaches himself everything to do with radios; after repairing a senior-ranking German officer's radio, he is given entry into a youth academy that trains young soldiers for Hitler's Army. He is then drafted to utilize his skills to find resistance armies who are using the radio - but Werner is no soldier and soon realizes the cost of his talent.

    I found the book somewhat plodding; like you were waiting for something important to happen...and waiting, and waiting, and waiting. Eventually Marie and Werner's stories collide - but only briefly and completely unsatisfactorily. I'm sure that's the point - that life is hardly satisfactory, but still. Parts of the book were very interesting - the last third probably kept my attention best. This wasn't a book that you can't put down though; very little tension (at least for me).

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